Index

  • Exhibition entrance for Make Believe: Encounters with Misinformation at State Library Victoria. A bright green archway frames a doorway leading into a long mirrored corridor, with walls clad in soft blue-and-white cloud imagery. A small overhead sign reads "Believe: Encounters with Misinformation." U-P(co)2010

    1
    STATE LIBRARY VICTORIA, Make Believe, Exhibition Design, 2025
    Design and artistic direction for the exhibition Make Believe: Encounters with Misinformation which examines how misinformation shapes our lives and culture, 2025. Collaborators: Linda Short, Georgia Goud, Studio Peter King

  • STATE LIBRARY VICTORIA, Make Believe, Exhibition Design, 2025

    2
    STATE LIBRARY VICTORIA, Make Believe, Exhibition Design, 2025
    Design and artistic direction for the exhibition Make Believe: Encounters with Misinformation which examines how misinformation shapes our lives and culture, 2025. Collaborators: Linda Short, Georgia Goud, Studio Peter King

  • Gallery installation view of The Mourning After at RMIT Design Hub. Sheer translucent curtains hang across a quiet concrete-floored room, washed in soft pastel pink and blue light, creating a contemplative, ethereal space. U-P(co)2010

    3
    RMIT DESIGN HUB, The Mourning After, Exhibition design, 2025
    The exhibition explores grief in its many forms, personal and collective, through art, ritual, and creative practice, offering space for reflection and connection. Collaborators: Larissa Hjorth

  • Detail of printed publication material from The Mourning After at RMIT Design Hub. A booklet or panel displays the title "Grief as a social practice for hopeful futures" above a desert landscape image, with "RMIT Design Hub Gallery" set in arched lettering. U-P(co)2010

    4
    RMIT DESIGN HUB, The Mourning After, Exhibition design, 2025
    The exhibition explores grief in its many forms, personal and collective, through art, ritual, and creative practice, offering space for reflection and connection. Collaborators: Larissa Hjorth

  • Wayfinding signage from the Dairy Road urban design project near the Jerrabomberra Wetlands, ACT. A round blue "P" parking sign sits atop a square "6" panel on a red-and-white striped pole, set against tall wetland grasses and bare trees at dusk. U-P(co)2010

    5
    DAIRY ROAD, Signage, 2017 - current
    Dairy Road is a large-scale urban design project adjacent to the Jerrabomberra Wetlands in the Australian Capital Territory. Ongoing collaboration with Molonglo, David Chipperfield Architects, Pezo von Ellrichshausen, and Assemble (UK), 2017

  • Publication cover for Fantastic Forms at Bundanon. A pale cream hardcover book stands against a black background, featuring a bold, simplified bright blue illustration of a two-handled vase or urn rendered in a loose, hand-cut style. U-P(co)2010

    6
    BUNDANON, Fantastic Forms, Publication, 2023
    Publication for Fantastic Forms an exhibition at Bundanon that brought together works from the Bundanon Collection with works by Nabilah Nordin, Stephen Benwell and Rubyrose Bancroft, the exhibition explored the joy of artmaking and its connection to everyday life, anchored by the playful and deeply personal work of Merric Boyd.

  • Open spread from the Dairy Road publication. The double-page layout combines columns of text with a greyscale rendering of a square architectural form and a colour photograph of a person standing in a lush meadow of tall grasses and purple wildflowers. U-P(co)2010

    7
    DAIRY ROAD, Creative Direction, 2017 - current
    Dairy Road is a large-scale urban design project adjacent to the Jerrabomberra Wetlands in the Australian Capital Territory. Ongoing collaboration with Molonglo, David Chipperfield Architects, Pezo von Ellrichshausen, and Assemble (UK), 2017

  • Object design photograph from Hardly Together by Field Experiments at Fisher Parrish gallery. A delicate flowering stem rises from a sculptural assemblage of stacked materials — a rough terracotta-toned block topped with a speckled terrazzo-like slab — set against a soft gradient backdrop. U-P(co)2010

    8
    FIELD EXPERIMENTS, Object Design, 2019
    Object design for Hardly Together, an exhibition by Field Experiments at Fisher Parrish gallery. Collaborators: Benjamin Harrison Bryant and Karim Charlebois-Zariffa

  • The Landscape as Protagonist publication for Molonglo. A white softcover book stands upright against pale stone and green foliage, its cover showing an abstract painterly composition of layered arches, leaves and organic shapes in muted greens, blues and ochre. U-P(co)2010

    9
    MOLONGLO, Landscape as Protagonist, Publication, 2019
    Landscape as Protagonist was a symposium and series of lectures by Dan Pearson, Marjetica Potrč and Thomas Doxiadas that proposed new ideas and ways of thinking about, and working with landscape, 2019

  • Identity and promotional graphic for Landscape as Protagonist at Molonglo. A monochrome poster set in bold monospaced typography announces the Melbourne Design Week symposium, "14 → 24 March 2019," listing speakers Marjetica Potrč, Dan Pearson and Thomas Doxiadis, framed by a grid of small landscape photographs. U-P(co)2010

    10
    MOLONGLO, Landscape as Protagonist, Identity, 2019
    Landscape as Protagonist was a symposium and series of lectures by Dan Pearson, Marjetica Potrč and Thomas Doxiadas that proposed new ideas and ways of thinking about, and working with landscape, 2019

  • Creative direction for the Casts door handle collection, a Bankston x Edition Office collaboration. A person in a dark jacket holds a large folded printed poster or specification sheet set in elegant serif typography, with fragments reading "Casts by Edition Office" and product references. U-P(co)2010

    11
    BANKSTON x EDITION OFFICE, Creative Direction, 2022
    Casts is a collection of door handles designed by architects Edition Office in collaboration with hardware manufacturer Bankston, 2022

  • Installation view of Common Good at the Powerhouse Museum. A minimal grey gallery setting displays a small wooden chair maquette and a rounded table lamp on a low plinth, with a textured panel mounted on the wall behind. U-P(co)2010

    12
    POWERHOUSE MUSEUM, Common Good, Exhibition design, 2017
    Common Good was an exhibition that surveyed contemporary design from the Asia-Pacific region from a new generation of socially engaged creatives. Collaborators: Keinton Butler, Kat Bond and James Rongen-Hall

  • Object detail from Common Good at the Powerhouse Museum. A clear glass petri dish on a pale plinth holds a tuft of fine reddish-purple algae or dried plant material, accompanied by a small circular label marked "A." U-P(co)2010

    13
    POWERHOUSE MUSEUM, Common Good, Exhibition design, 2017
    Common Good was an exhibition that surveyed contemporary design from the Asia-Pacific region from a new generation of socially engaged creatives. Collaborators: Keinton Butler, Kat Bond and James Rongen-Hall

  • Creative direction for Other Boundaries by fashion label Kloke. A framed photographic print, set against a black background, shows a soft sculptural arrangement of teal patterned and sheer white fabric, with a small graphic label in the upper corner. U-P(co)2010

    14
    KLOKE, Other Boundaries, Creative Direction, 2020
    Other Boundaries was a range designed by Australian fashion label Kloke

  • Installation view of The Mourning After at RMIT Design Hub. Blocks of small white exhibition text are projected or applied across a pale gallery wall, beside a vertical sculptural element made of bundled branches or driftwood. U-P(co)2010

    15
    RMIT DESIGN HUB, The Mourning After, Exhibition design, 2025
    The exhibition explores grief in its many forms, personal and collective, through art, ritual, and creative practice, offering space for reflection and connection. Collaborators: Larissa Hjorth

  • UNIVERSITY OF MELBOURNE, NExT Lab, Creative direction, 2018

    16
    UNIVERSITY OF MELBOURNE, NExT Lab, Creative direction, 2018
    NExt Lab is a technology-focused makerspace at the University of Melbourne’s School of Design.

  •  Publication spread from Techno Fossils. A double-page layout on a black ground pairs a greyscale photograph of a melted, drooping vessel-like form with a glossy white 3D-printed object resembling a distorted jug or handled cup. U-P(co)2010

    17
    TECHNO FOSSILS, Publication, 2019
    TechnoFossils explores the advent of the 3D printer and its impact on the material world, through a collection of illustrated fictional artefacts. The publication includes an essay by Dr Anna Greenspan and Dr. Suzanne Livingston - The Shape Shifter: Dream visions of the Additive Machine.

  • Creative direction for lighting company PSLab. A row of natural canvas drawstring bags hangs in a line, each stamped with hand-drawn-style addresses for international cities including London UK, Antwerp BE and Amsterdam NL. U-P(co)2010

    18
    PSLAB, Creative direction, 2023 - current
    PSLab is an international lighting company that specialises in the planning, implementing and manufacturing of light and lighting fixtures,.

  • Identity for the Tall Buildings symposium at Molonglo. A person dressed in black holds a folded black-and-white poster across their face and torso, the bold condensed type reading "Tall Buildings: Their Problems and Some Ideas — A Symposium, Melbourne Design Week 2018, 6a Architects, Pezo von Ellrichshausen." U-P(co)2010

    19
    MOLONGLO, Tall Buildings, Identity, 2018
    Identity for Tall Buildings: Their Problems and Some Ideas, a half-day symposium presented as part of Melbourne Design Week that investigated radical approaches to building vertical cities. Collaborators: 6a architects, Pezo von Ellrichshausen, Molonglo.

  • MOLONGLO, Tall Buildings, Identity, 2018

    20
    MOLONGLO, Tall Buildings, Identity, 2018
    Identity for Tall Buildings: Their Problems and Some Ideas, a half-day symposium presented as part of Melbourne Design Week that investigated radical approaches to building vertical cities. Collaborators: 6a architects, Pezo von Ellrichshausen, Molonglo.

  • PHOTO AUSTRALIA, Creative Direction, 2019 - 2026

    21
    PHOTO AUSTRALIA, Creative Direction, 2019 - 2026
    PHOTO Australia is an organisation supporting Australian photographers and artists through commissioning new work, publishing, mentoring and producing festivals.

  • Creative direction for the STORE initiative, Alpha60 x University of Melbourne. A glowing red point-cloud 3D scan of a person's head and shoulders floats against a black background, framed by thin white registration lines, with a URL caption reading "m3d.unimelb.edu.au/alpha60." U-P(co)2010

    22
    ALPHA 60 X UNIVERSITY OF MELBOURNE, Store, Creative Direction, 2022
    Identity for STORE, a collaborative initiative between Alpha60 and the University of Melbourne that explored the future of the fashion store and the evolving relationship between fashion, technology and cultural experience. Collaborators: Jas Johnston, Ben Waters, Alpha60.

  • KLOKE, Other Boundaries, Creative Direction, 2020

    23
    KLOKE, Other Boundaries, Creative Direction, 2020
    Other Boundaries was a range designed by Australian fashion label Kloke

  • 24
    MOLONGLO, Public Office, Creative Direction, Ongoing
    Public Office is a new centre for creative work that brings together artists, creative businesses and the broader community within a shared civic and cultural environment. Designed by 6a architects and Dan Pearson Studio, the project reimagines the workplace as a place of creativity, learning, public life and connection to nature.

  • UNIVERSITY OF MELBOURNE, NExT Lab, Creative direction, 2018

    25
    UNIVERSITY OF MELBOURNE, NExT Lab, Creative direction, 2018
    NExT Lab is a technology-focused makerspace at the University of Melbourne’s School of Design. Collaborators: Jas Johnston

  • 26
    STATE LIBRARY VICTORIA, Rebel Heart, Exhibition design, 2025
    Rebel Heart is exhibition exploring how love is expressed, recorded and remembered over time, Collaborators: Georgia Goud, Georgia Knight, Isabel Baker, Angela Bailey, Maree 幸 Williams, Studio Peter King, Melanie Huang

  • 27
    MANE BY STABLE, Creative direction, 2024
    MANE BY STABLE is a multi-brand fashion and lifestyle boutique in Melbourne.

  • 28
    STATE LIBRARY VICTORIA, The Rest Is Up To You, Exhibition design, 2022
    The Rest Is Up To You, Celebrated 40 years of Melbourne Fringe through sound, video, archive and animated typography. Collaborators: Kate Rhodes, Kate Davis

  • 29
    STATE LIBRARY VICTORIA, The Rest Is Up To You, Exhibition design, 2022
    The Rest Is Up To You, Celebrated 40 years of Melbourne Fringe through sound, video, archive and animated typography. Collaborators: Kate Rhodes, Kate Davis

  • 30
    ECHOES FROM FROM THE INHUMAN, Publication, 2021
    Echoes from the InHuman is a series of books designed in collaboration with machines. 160 procedurally generated illustrations with 30 new texts created on a recurrent neural network. Image generator developed by U-P and text generator neural network by Max Woolf.

  • 31
    RMIT, Living Spaces, Exhibition Design, 2026
    The Living Places Exchange is a tactile expression of RMIT’s Living Places Plan, showcasing an evolving ecology of ideas shaped through learning, teaching and research.

  • 32
    RMIT, Living Spaces, Exhibition Design, 2026
    The Living Places Exchange is a tactile expression of RMIT’s Living Places Plan, showcasing an evolving ecology of ideas shaped through learning, teaching and research.

  • RMIT, Living Spaces, Exhibition Design, 2026

    33
    RMIT, Living Spaces, Exhibition Design, 2026
    The Living Places Exchange is a tactile expression of RMIT’s Living Places Plan, showcasing an evolving ecology of ideas shaped through learning, teaching and research.

  • 34
    UNIVERSITY OF MELBOURNE, NExT Lab, Creative direction, 2018
    NExT Lab is a technology-focused makerspace at the University of Melbourne’s School of Design. Collaborators: Jas Johnston

  • 35
    UNIVERSITY OF MELBOURNE, NExT Lab, Creative direction, 2018
    NExT Lab is a technology-focused makerspace at the University of Melbourne’s School of Design. Collaborators: Jas Johnston

  • 36
    STATE LIBRARY VICTORIA, Rebel Heart, Exhibition design, 2025
    Rebel Heart is exhibition exploring how love is expressed, recorded and remembered over time, Collaborators: Georgia Goud, Georgia Knight, Isabel Baker, Angela Bailey, Maree 幸 Williams, Studio Peter King, Melanie Huang

  • 37
    STATE LIBRARY VICTORIA, Rebel Heart, Exhibition design, 2025
    Rebel Heart is exhibition exploring how love is expressed, recorded and remembered over time, Collaborators: Georgia Goud, Georgia Knight, Isabel Baker, Angela Bailey, Maree 幸 Williams, Studio Peter King, Melanie Huang

  • 38
    BUNDANON, The Polyphonic Sea, Publication, 2023
    The Polyphonic Sea, showcased works by twelve artists from Aotearoa New Zealand. It explored different forms of communication, including speech, writing, gesture and music. Many of the artworks were created or influenced by the Bundanon site.

  • 39
    BUNDANON, The Polyphonic Sea, Publication, 2023
    The Polyphonic Sea, showcased works by twelve artists from Aotearoa New Zealand. It explored different forms of communication, including speech, writing, gesture and music. Many of the artworks were created or influenced by the Bundanon site.

  • 40
    FIELD EXPERIMENTS, Hardly Together, Object and exhibition design, 2019
    Hardly Together was an exhibition by Field Experiments at Fisher Parrish gallery in New York. Collaborators: Benjamin Harrison Bryant and Karim Charlebois-Zariffa

  • YIRRAMBOI, Creative Direction, 2025 - Current

    41
    YIRRAMBOI, Creative Direction, 2025 - Current
    Yirramboi is Australia’s premier First Nations arts festival that provides a stage for First Nations voices to be heard.

  • YIRRAMBOI, Creative Direction, 2025 - Current

    42
    YIRRAMBOI, Creative Direction, 2025 - Current
    Yirramboi is Australia’s premier First Nations arts festival that provides a stage for First Nations voices to be heard.

  • 43
    EXLAB, Creative direction, 2019
    Identity for ExLaB (Experimental Design Lab), a studio at the University of Melbourne that investigates materials and process-driven design through experimentation, making and digital fabrication. The identity was developed as a system of templates that enabled designers to generate their own content across posters, presentations, journals and digital platforms, reflecting ExLaB’s emphasis on process, participation and experimentation. Collaborators: Jas Johnston, Adam Markowitz.

  • 44
    EXLAB, Creative direction, 2019
    Identity for ExLaB (Experimental Design Lab), a studio at the University of Melbourne that investigates materials and process-driven design through experimentation, making and digital fabrication. The identity was developed as a system of templates that enabled designers to generate their own content across posters, presentations, journals and digital platforms, reflecting ExLaB’s emphasis on process, participation and experimentation. Collaborators: Jas Johnston, Adam Markowitz.

  • 45
    FIELD EXPERIMENTS, Hardly Together, Object and exhibition design, 2019
    Hardly Together was an exhibition by Field Experiments at Fisher Parrish gallery in New York. Collaborators: Benjamin Harrison Bryant and Karim Charlebois-Zariffa

  • 46
    STATE LIBRARY VICTORIA, Rebel Heart, Exhibition design, 2025
    Rebel Heart is exhibition exploring how love is expressed, recorded and remembered over time, Collaborators: Georgia Goud, Georgia Knight, Isabel Baker, Angela Bailey, Maree 幸 Williams, Studio Peter King, Melanie Huang

  • 47
    OTHER MATTER, Future Ambition, Installation, 2025
    Future Ambition was an exhibition at Craft Victoria. The exhibition showcased OM Signage Film, a new material made in Melbourne from algae-derived polymers and locally sourced mineral pigments. Collaborators: Other Matter, Boom Studios

  • 48
    OTHER MATTER, Future Ambition, Installation, 2025
    Future Ambition was an exhibition at Craft Victoria. The exhibition showcased OM Signage Film, a new material made in Melbourne from algae-derived polymers and locally sourced mineral pigments. Collaborators: Other Matter, Boom Studios

  • 49
    CRITERIA, Creative direction, 2016 - current
    Criteria is a design gallery showcasing eclectic furniture, lighting, and objects, with a focus on limited editions, atelier production.

  • 50
    CRITERIA, Creative direction, 2016 - current
    Criteria is a design gallery showcasing eclectic furniture, lighting, and objects, with a focus on limited editions, atelier production.

  • 51
    KLOKE, Other Boundaries, Creative Direction, 2020
    Other Boundaries was a range designed by Australian fashion label Kloke

  • FESTIVAL OF DANGEROUS IDEAS, Creative Direction, 2024

    52
    FESTIVAL OF DANGEROUS IDEAS, Creative Direction, 2024
    FESTIVAL OF DANGEROUS IDEAS (FODI), is a disruptive festival where experts from varied disciplines present contrasting perspectives on today’s most contentious issues.

  • 53
    NATIONAL GALLERY VICTORIA, Melbourne Design Week, Identity, 2024
    Melbourne Design Week is Australia's largest design event with over 400 programs and events.

  • NATIONAL GALLERY VICTORIA, Melbourne Design Week, Identity, 2024

    54
    NATIONAL GALLERY VICTORIA, Melbourne Design Week, Identity, 2024
    Melbourne Design Week is Australia's largest design event with over 400 programs and events.

  • 55
    NISHI GALLERY, Unit of Measure, Solo Exhibition, 2018
    Unit of Measure explored the built environment through acts of measurement and observation. Using a standard-sized basketball as a surveying tool, the project documented and mapped negative space within the urban landscape.

  • 56
    IL DELFINO Creative direction, 2023
    Branding and Creative direction for the 1948 restored Seaside Inn on the coast of Northern NSW in the village of Yamba.

  • IL DELFINO Creative direction, 2023

    57
    IL DELFINO Creative direction, 2023
    Branding and Creative direction for the 1948 restored Seaside Inn on the coast of Northern NSW in the village of Yamba.

  • 58
    PHOTO AUSTRALIA, Creative Direction, 2019 - 2026
    PHOTO Australia is an organisation supporting Australian photographers and artists through commissioning new work, publishing, mentoring and producing festivals.

  • 59
    FIELD EXPERIMENTS, Hardly Together, Object and exhibition design, 2019
    Hardly Together was an exhibition by Field Experiments at Fisher Parrish gallery in New York. Collaborators: Benjamin Harrison Bryant and Karim Charlebois-Zariffa

  • 60
    FIELD EXPERIMENTS, Hardly Together, Object and exhibition design, 2019
    Hardly Together was an exhibition by Field Experiments at Fisher Parrish gallery in New York. Collaborators: Benjamin Harrison Bryant and Karim Charlebois-Zariffa

  • 61
    MILE END, Creative direction, 2019
    Mile End is Melbourne bagelry. Inspired by the bagel shops of Montreal and NYC, their bagels are boiled and then baked in Australia’s first wood-fired oven.

  • 62
    MILE END, Creative direction, 2019
    Mile End is Melbourne bagelry. Inspired by the bagel shops of Montreal and NYC, their bagels are boiled and then baked in Australia’s first wood-fired oven.

  • 63
    MOKE VALLEY, Creative Direction, 2025
    Moke Valley is a collection of cabins designed by Fearon Hay and Katie Lockhart, overlooking Lake Wakatipu near Queenstown, New Zealand. The project positioned Moke Valley as a retreat centred on absence and solitude.

  • 64
    MOKE VALLEY, Creative Direction, 2025
    Moke Valley is a collection of cabins designed by Fearon Hay and Katie Lockhart, overlooking Lake Wakatipu near Queenstown, New Zealand. The project positioned Moke Valley as a retreat centred on absence and solitude.

  • 65
    IL DELFINO Creative direction, 2023
    Branding and Creative direction for the 1948 restored Seaside Inn on the coast of Northern NSW in the village of Yamba.

  • 66
    IL DELFINO Creative direction, 2023
    Branding and Creative direction for the 1948 restored Seaside Inn on the coast of Northern NSW in the village of Yamba.

  • 67
    RESEARCH, 2019
    Photographic series exploring the everyday objects and rituals associated with health, care and wellbeing.

  • 68
    AESOP, Creative Direction, 2017
    AESOP is a skin, body and hair care brand established in Melbourne, Australia

  • 69
    AESOP, Creative Direction, 2017
    AESOP is a skin, body and hair care brand established in Melbourne, Australia

  • 70
    Broached Commissions, Object, 2011
    Graphic language and patterning system for Chen Lu's Dream Lantern, part of the Broach Colonial collection.

  • 71
    RMIT, Living Spaces, Exhibition Design, 2026
    The Living Places Exchange is a tactile expression of RMIT’s Living Places Plan, showcasing an evolving ecology of ideas shaped through learning, teaching and research.

  • 72
    NATIONAL GALLERY VICTORIA, Melbourne Art Book Fair, Identity, 2024
    Melbourne Art Book Fair is an annual event that features a diverse program of workshops, talks, symposiums, readings, performances, exhibitions, and launches at venues across Victoria, Australia

  • NATIONAL GALLERY VICTORIA, Melbourne Art Book Fair, Identity, 2024

    73
    NATIONAL GALLERY VICTORIA, Melbourne Art Book Fair, Identity, 2024
    Melbourne Art Book Fair is an annual event that features a diverse program of workshops, talks, symposiums, readings, performances, exhibitions, and launches at venues across Victoria, Australia

  • 74
    STATE LIBRARY VICTORIA, Exhibition design, Chinese Shop Fronts, 2023
    Chinese Shop Fronts is part of a series of interventions within the library that bring new perspectives to traditional Victorian stories.

  • 75
    STATE LIBRARY VICTORIA, Exhibition design, Chinese Shop Fronts, 2023
    Chinese Shop Fronts is part of a series of interventions within the library that bring new perspectives to traditional Victorian stories.

  • 76
    3553, Immobilities, Exhibition design, 2025
    Immobilities explores the ways borders, architectures and environments are designed to control movement and shape access to mobility. Bringing together international research, design and activism, the exhibition examines the systems that underpin contemporary border regimes.

  • 77
    3553, Identity, 2024
    3553, is a gallery space operated by OFFICE that supports critical dialogue around the built environment.

  • 78
    PHOTO AUSTRALIA, Creative Direction, 2019 - 2026
    PHOTO Australia is an organisation supporting Australian photographers and artists through commissioning new work, publishing, mentoring and producing festivals.

  • YIRRAMBOI, Creative Direction, 2025 - Current

    79
    YIRRAMBOI, Creative Direction, 2025 - Current
    Yirramboi is Australia’s premier First Nations arts festival that provides a stage for First Nations voices to be heard.

  • STATE LIBRARY VICTORIA, The Rest Is Up To You, Exhibition design, 2022

    80
    STATE LIBRARY VICTORIA, The Rest Is Up To You, Exhibition design, 2022
    The Rest Is Up To You, Celebrated 40 years of Melbourne Fringe through sound, video, archive and animated typography. Collaborators: Kate Rhodes, Kate Davis

  • 81
    CHROMA FILM LAB, Identity, 2024
    Chroma is a complete motion picture film lab based in Melbourne.

  • 82
    SCHWARTZ MEDIA, The Culture, Identity, 2021
    The Culture was a weekly podcast from the publisher of Schwartz media.

  • 83
    RESEARCH, 2019
    Photographic series exploring the everyday objects and rituals associated with health, care and wellbeing.

  • MANE BY STABLE, Creative direction, 2024

    84
    MANE BY STABLE, Creative direction, 2024
    MANE BY STABLE is a multi-brand fashion and lifestyle boutique in Melbourne.

  • 85
    POWERHOUSE MUSEUM, Common Good, Exhibition identity, 2017
    Common Good was an exhibition that surveyed contemporary design from the Asia-Pacific region from a new generation of socially engaged creatives. Collaborators: Keinton Butler, Kat Bond and James Rongen-Hall

  • 86
    POWERHOUSE MUSEUM, Common Good, Exhibition design, 2017
    Common Good was an exhibition that surveyed contemporary design from the Asia-Pacific region from a new generation of socially engaged creatives. Collaborators: Keinton Butler, Kat Bond and James Rongen-Hall

  • 87
    MARBLE IN METAMORPHOSIS, Publication, 2022
    Marble in Metamorphosis is a publication examining the cultural, political and material significance of marble and its enduring relationship to human culture.

  • 88
    FIELD EXPERIMENTS, Object Design, 2019
    Object design for Hardly Together, an exhibition by Field Experiments at Fisher Parrish gallery. Collaborators: Benjamin Harrison Bryant and Karim Charlebois-Zariffa

  • 89
    BANKSTON x EDITION OFFICE, Creative Direction, 2022
    Casts is a collection of door handles designed by architects Edition Office in collaboration with hardware manufacturer Bankston, 2022

  • 90
    BANKSTON x EDITION OFFICE, Creative Direction, 2022
    Casts is a collection of door handles designed by architects Edition Office in collaboration with hardware manufacturer Bankston, 2022

  • 91
    NANGARI CARPARK, Wayfinding, 2026 Wayfinding and environmental graphics for a new public carpark and retail precinct in Canberra CBD.

  • 92
    HOTEL HOTEL, Creative direction, 2014
    Hotel Hotel was conceived as an experiment in collaborative craftsmanship, serving as both a physical hotel space and a platform for artistic and cultural projects developed with over 60 artists, designers, and curators.

  • 93
    HOTEL HOTEL, Creative direction, 2014
    Hotel Hotel was conceived as an experiment in collaborative craftsmanship, serving as both a physical hotel space space and a platform for artistic and cultural projects developed with over 60 artists, designers, and curators.

  • STATE LIBRARY VICTORIA, Make Believe, Exhibition Design, 2025

    94
    STATE LIBRARY VICTORIA, Make Believe, Exhibition Design, 2025
    Design and artistic direction for the exhibition Make Believe: Encounters with Misinformation which examines how misinformation shapes our lives and culture, 2025. Collaborators: Linda Short, Georgia Goud, Studio Peter King

  • 95
    FIELD EXPERIMENTS, Hardly Together, Object and exhibition design, 2019
    Hardly Together was an exhibition by Field Experiments at Fisher Parrish gallery in New York. Collaborators: Benjamin Harrison Bryant and Karim Charlebois-Zariffa

  • 96
    DAIRY ROAD, Signage, 2017 - current
    Dairy Road is a large-scale urban design project adjacent to the Jerrabomberra Wetlands in the Australian Capital Territory. Ongoing collaboration with Molonglo, David Chipperfield Architects, Pezo von Ellrichshausen, and Assemble (UK), 2017

  • 97
    NoO DRINKS, Creative Direction, 2023
    NoO is a new collection of sparkling Nootropic mushroom infused drinks, with two flavours, blueberry with lion's mane and sour cherry and lavender with reishi.

  • 98
    NoO DRINKS, Creative Direction, 2023
    NoO is a new collection of sparkling Nootropic mushroom infused drinks, with two flavours, blueberry with lion's mane and sour cherry and lavender with reishi.

  • 99
    BANKSTON x EDITION OFFICE, Creative Direction, 2022
    Casts is a collection of door handles designed by architects Edition Office in collaboration with hardware manufacturer Bankston, 2022

  • 100
    DAIRY ROAD, Signage, 2017 - current
    Dairy Road is a large-scale urban design project adjacent to the Jerrabomberra Wetlands in the Australian Capital Territory. Ongoing collaboration with Molonglo, David Chipperfield Architects, Pezo von Ellrichshausen, and Assemble (UK), 2017